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" an overbearingly idiosyncratic mess of a film that lacks the subtle charm of her debut" |
Miranda July's 2005 surreal debut feature,
Me and You and Everyone We Know showcased her enormous potential, with fans of quirky, independent, cinema desperate to see what she’d produce next. Narrated by a caged, injured cat,
The Future (2011) expands upon July’s unique ability to capture the difficulties of developing relationships and the awkwardness of making emotional attachments.
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